
About Me
Maryam Takalou (Persian: مریم تکلو) is a Dallas-based, Iranian-Tehran artist who explores space, landscape, and memory through video, installation, sculpture, and other visual media. Drawing on Persian painting traditions as alternative modes of perception, she repositions these forms within Western landscapes to examine the body, memory, and their roles in power structures. Her work investigates defamiliarization and the restructuring of landscape, viewing them as visually constructed phenomena rather than objective realities.
Takalou earned her MFA in Studio Art from Florida State University in 2022 and is currently a Ph.D. candidate in Visual and Performing Arts at the University of Texas at Dallas, where she teaches courses on visual arts. In 2010, Maryam received first prize for drawing at the Afarinesh Festival at the University of Tehran and the Art Youth Festival at the Tehran Museum of Contemporary Art. She also received the Florida State University Scholarship Award (2019), the Andy McLachlin Memorial Award (2021–2022) for exceptional artistic achievement, the Mary Ola Miller Reynolds Award (2021) for outstanding contributions to studio art, multiple Artistic Materials Fund Awards (2019–2022), the Harry W. Bass Jr. Graduate Research and Travel Award (2023 and 2024), and the Robert Plant Armstrong Endowed Scholarship Fund (2024 and 2025). She was awarded the Mala and Adolph Einspruch Fellowship for Holocaust Studies, the Selwin Belofsky Fellowship in Holocaust Studies, and the Mike Jacobs Fellowship in Holocaust Studies in April 2025.
She was also Florida State University’s nominee for the Dedalus Foundation Fellowship in 2022. Maryam participated in and curated over 40 exhibitions at prominent galleries in Tehran, including Hoor, Shirin, Arya, and Elahe. She has presented her work at multiple conferences. Her book Painting in Video Art (in Persian) was published in 2012 by Mehr-Nourouz (Tehran). Maryam recently published a book chapter, “Diaspora Artist’s Application of Landscape and Body,” in ReFocus: The Films of Shirin Neshat (Edinburgh University Press). After moving to the United States in 2019, she participated in several exhibitions and workshops in Florida, Massachusetts (Boston), and Texas. Takalou’s work has been featured in SIX Magazine (2021), VOA TV News (2023), Dallas News (2023), Head Topics (2023), and more.
About Me
Maryam Takalou is a Dallas-based Iranian artist who explores space, landscape, and memory through video, installation, sculpture, and other visual media. Drawing on Persian painting traditions as alternative modes of perception, she repositions these forms within Western landscapes to examine the body, memory, and their roles in power structures. Her work investigates defamiliarization and the restructuring of landscape, viewing them as visually constructed phenomena rather than objective realities.
Maryam has been part of numerous exhibitions, festivals, and workshops in Florence, Paris, Florida, Massachusetts (Boston), and Texas. She is the recipient of the Florida State University Scholarship Award (2019), the Andy McLachlin Memorial Award (2021–2022) for exceptional artistic achievement, the Mary Ola Miller Reynolds Award (2021) for contributions to studio art, multiple Artistic Fund Awards (2019–2022), the Harry W. Bass Jr. Graduate Research and Travel Award (2023 and 2024), and the Robert Plant Armstrong Endowed Scholarship Fund in two following years 2024 and 2025.
She was also the Florida State University’s nominee for the Dedalus Foundation Fellowship in 2022. Maryam participated in and curated several exhibitions at prominent galleries in Tehran, including Hoor, Shirin, Arya, and Elahe. Her book Painting in Video Art (in Persian) was published in 2012.
Takalou’s work has been featured in SIX Magazine (2021), VOA (2023), Dallas News (2023), Head Topics (2023), and more. Currently, she is pursuing her Ph.D. in Visual and Performing Arts at the University of Texas at Dallas, where she teaches courses on visual arts.
NEWS
TEXAS VISUAL ARTS COMPETITION
TRINITY ART GALLERY, Competition Juror Feb 2026

CSA CONFERENCE
Landscaping: The Practice of Landscape in Contemporary Art MAY 2026

CSA CONFERENCE
Cézanne’s Sainte-Victoire series: his painterly deconstruction of time and place. How landscape functions as a dynamic motif that reorganizes sensation and proposes a relational perspectivism without a single focal point. Round Table, Feb 2026

SECAC 2025
Interdisciplinary > Memory and Materiality in Contemporary Art, Session I; chaired by Mazyar Mahan and Maryam Takalou, October 2025

IMPACT 2025
EMPOWERED ARTIST Maryam Takalou has expressed herself through art since her childhood in Iran. With scholarship support at UT Dallas, she found a space to grow and connect with others through her work.

RAW Conference 2025 / Co-organizer: Maryam Takalou
The 2025 RAW Graduate Student Conference featured keynote speaker Grace Aneiza Ali, a curator and scholar whose work intersects art, social justice, and diaspora studies.

NEWS
TEXAS VISUAL ARTS COMPETITION
TRINITY ART GALLERY, Competition Juror Feb 2026

CSA CONFERENCE
Landscaping: The Practice of Landscape in Contemporary Art MAY 2026

CSA CONFERENCE
Cézanne’s Sainte-Victoire series: his painterly deconstruction of time and place. How landscape functions as a dynamic motif that reorganizes sensation and proposes a relational perspectivism without a single focal point. Round Table, Feb 2026

SECAC 2025
Interdisciplinary > Memory and Materiality in Contemporary Art, Session I; chaired by Mazyar Mahan and Maryam Takalou, October 2025

IMPACT 2025
EMPOWERED ARTIST Maryam Takalou has expressed herself through art since her childhood in Iran. With scholarship support at UT Dallas, she found a space to grow and connect with others through her work.

RAW Conference 2025 / Co-organizer: Maryam Takalou
The 2025 RAW Graduate Student Conference featured keynote speaker Grace Aneiza Ali, a curator and scholar whose work intersects art, social justice, and diaspora studies.
